Wednesday, July 5, 2017

The Children of Syria MSM Doesn't Want You To See

Diane Mantzaris
July 4, 2017

These pictures show 35 children of Syrian martyrs dressed in holiday clothes generously donated by qerdaha newspapers (Lattakia) Syria, and Gigi (Syrian childrens clothing label) in preparation for Eid Al-Fitr festivities, benefiting 95 children over four days.

Take a good look at these children who the US, with the assistance of our government [Australia], have waged a war on with their death squads and llegal air invasion.

No charity goes in the front door to Syria as a result of our countries war against Syria. Our governments have cruel sanctions in place on greater Syria. These sanctions drive up inflation, the price of food, medicine, hospital and medical care, including cancer treatments. The health and wellbeing of ordinary Syrians are affected by sanctions, not governments. It is the people who pay the price.

Even moreso, most US and allied charities do not deliver to greater Syria. They actually support the cruel sanctions while exploiting the image of Syria’s children to profit their cruel US and allied war agenda. Aid for refugees is delivered to allied neighbouring countries who have been facilitating the invasion of some 350,000 US /NATO backed mercenaries and delivering to terrorist groups for the last 7 years. None of it goes to the 75% of refugees and orphans that have fled within Syria to the safety of government-retained and Syrian army defended areas.

Write and ring Australia's MPs! Challenge our Lying media! End this seemingly never ending kowtow to US wars of agression, now also on our own region and our good neighbours! Help end this US allied support for this horrific war on Syria, which cannot be sustained without US allies (us) paying for it. Lift Australia's cruel sanctions! Lift your voices! Get out and stay out! Hands off Syria!

ALL PHOTOS BY QERDAHA JOURNAL




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Image may contain: 2 people, people smiling, people standing, stripes and outdoor

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Image may contain: 3 people, people standing and child


Image may contain: 2 people, people standing

Image may contain: 3 people, people standing, child and outdoor

Image may contain: 2 people, people standing

Image may contain: 2 people, people standing

Image may contain: 2 people, people smiling, people standing

Image may contain: 3 people, people standing

Image may contain: 3 people, people standing and shoes

Image may contain: 2 people, people standing

Image may contain: 1 person, smiling, standing and child

Image may contain: 1 person, sitting and indoor

Image may contain: 2 people, people standing and shoes

Image may contain: 1 person, standing

Image may contain: 2 people, people smiling, people standing

Image may contain: 3 people, people standing and child

Image may contain: 4 people, people smiling, people standing and stripes

Image may contain: 2 people, people smiling, people standing, shoes and child

Image may contain: 1 person, standing

Image may contain: 1 person, standing, shoes and outdoor

Image may contain: 2 people, people smiling, people standing, stripes and outdoor

Image may contain: 3 people, people standing, people sitting and child

Image may contain: 3 people, people standing and child

Image may contain: 2 people, people standing

Image may contain: 3 people, people standing, child and outdoor

Image may contain: 2 people, people standing

Image may contain: 2 people, people standing

Image may contain: 3 people, people standing

Image may contain: 2 people, people standing

Diane Mantzaris is an Australian artist known for her pioneering application of digital imaging to printmaking and for her unconventional approach to image making, which is often both personal and political in content. Mantzaris pioneered the use of computers as a printmaking and art-making tool in the early to mid-1980s, exhibiting widely, nationally and throughout Asia in touring exhibitions, to considerable acclaim. Her practice now crosses into several fields associated with the visual arts, printmaking, drawing, photography, sculpture, performance and public art. She is represented in most state and public collections throughout Australia and significant private collections throughout Asia and Europe. She was was drawn into action over Syria while watching the events unfold with colleagues in Aleppo.

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